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November

Zuckerman will be on an East Coast tour from November 19th-25th with Los Angeles based composer/musician Helga Fassonaki. Check in with @gardener_of_the_apocalypse for showtimes and venue updates.


Projects

―   Fissão – Ostrava Days Festival

―   Ismay: Guide To Ismay Vol.1

―   Aplauso: Os Olhos Escutam

―   Full-Contact Minimalism

―   Penny Film

―   Reading/Non-Reading

―   8 X 8 Composers/Choreographers

―   Bar Bar – Performance

―   Casa de Buonaguro-Foerster

―   Ontopo 2018

―   Magick City Residency

―   How I Pulled Myself Out Of Swamp

―   Capitalist Realism Surinomo

―   Good Samaritans-NYCP

―   Sister-Song Benefit Performance

―   Eyes_1

―   How About A Game

―   Cologne Of The Maghreb

―   Really

―   S.E.M. Ensemble, Emerging Concert

―   The Evening-NYCP

―   The Augur-Untitled Radio

―   Jiro, Digital Painting-Musical

―   Cordelia Film

―   The Harmers – LA

―   The Harmers – NYC

―   Icarus-Film

―   Milarepa Opera Benefit

―   The And Group

―   The Auger – David Lewis Gallery

―   End of The Night Café

―   Ariella Von – Film

―   Wolfe with an E

―   Phoebe Zeitgeist – 16mm Film

―   A Cool Breeze on the Back of the Neck

―   Ivan The Bloodburst -Cassette

―   Scores and Objects


Bio

David Louis Zuckerman is a composer, visual artist and writer, working in the mediums of performance installation, new orchestral music and cinema. He is a company member of Richard Maxwell’s New York City Players and an alumnus of the Skowhegan Residency, the Labyrinth Theater Ensemble and the S.E.M. Emerging Composers Workshop. His work has been shown at Ciccio NY, On Stellar Rays, Untitled Miami, David Lewis Gallery, JOAN Los Angeles, Disjecta, Anthology Film Archives, Thomas Duncan Gallery, Kunstverein Cologne, Moma-New Director/New Films, Abron’s Art Center, 83 Pitt Street and others. He studied composition at Berklee College of Music and holds a BFA from The School of Visual Arts in Video and an MFA in Film/Video from Bard College. Zuckerman has contributed articles to Film Comment and Bomb magazines. A 2015 Rema Hort Mann Grant nominee; his work has been covered in Art in America, LA Weekly, Artforum, Cahiers du Cinema, Purple Magazine, Hyperallergic, The New York Times and Filthy Dreams.

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S.E.M. Ensemble, Emerging Concert

S.E.M. ENSEMBLE, EMERGING COMPOSERS CONCERT
PER DIEM, (for Oboe, Marimba and Strings)
Composed by David Zuckerman
Conducted by Petr Kotik
February 9th, 2016
Jeffrey Reinhardt, Oboe
Chris Nappi, Percussion
Conrad Harris, Violin
Pauline Kim Harris, Violin
Liuh-Wen Tin, Viola
Mariel Roberts, Cello
James Ilgenfritz, Contrabass

Per Diem (For Jeffrey Reinhardt)
To play your instrument is a joy. Even in the face of musical complexity, to play is not complex. To feed, clothe and house yourself by your playing is complex. Per Diem is structured around a series of valleys and plateaus. From a technical standpoint it is easy to move between the one and the other, but if interpreted right, the path should feel like a matter of life and death.