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Zuckerman currently runs a studio based in Silverlake, Los Angeles, which specializes in film scoring and editing post-production on a range of projects from commercial tv/film to contemporary visual art. For inquiries visit:

studiodavidlouiszuckerman.com

The work archived on this page collects a range of selected projects as composer, director, film editor, actor and visual artist.


Projects

―   Ostrava Days Festival 2021

―   Hyle String Trio

―   Fissão – Ostrava Days Festival

―   Ismay: Guide To Ismay Vol.1

―   Aplauso: Os Olhos Escutam

―   Full-Contact Minimalism

―   Penny Film

―   Reading/Non-Reading

―   8 X 8 Composers/Choreographers

―   Bar Bar – Performance

―   Casa de Buonaguro-Foerster

―   Ontopo 2018

―   Magick City Residency

―   How I Pulled Myself Out Of Swamp

―   Capitalist Realism Surinomo

―   Good Samaritans-NYCP

―   Sister-Song Benefit Performance

―   Eyes_1

―   How About A Game

―   Cologne Of The Maghreb

―   Really

―   S.E.M. Ensemble, Emerging Concert

―   The Evening-NYCP

―   The Augur-Untitled Radio

―   Jiro, Digital Painting-Musical

―   Cordelia Film

―   The Harmers – LA

―   The Harmers – NYC

―   Icarus-Film

―   Milarepa Opera Benefit

―   The And Group

―   The Auger – David Lewis Gallery

―   End of The Night Café

―   Ariella Von – Film

―   Wolfe with an E

―   Phoebe Zeitgeist – 16mm Film

―   A Cool Breeze on the Back of the Neck

―   Ivan The Bloodburst -Cassette

―   Scores and Objects


Bio

David Louis Zuckerman is a composer, multi-media artist, writer and director. Before moving to Los Angeles, Zuckerman toured internationally with renowned American playwright Richard Maxwell’s theater company NYCP, and was a critic at Film Comment magazine writing about contemporary cinema. Zuckerman is an alumnus of the Skowhegan Residency, the Labyrinth Theater Ensemble and the S.E.M. Emerging Composers Workshop. He has made performance installations at David Lewis Gallery, JOAN Los Angeles, Anthology Film Archives, Kunstverein Cologne, Moma-New Director/New Films, The Dallas Museum of Art and others. He studied film scoring at Berklee College of Music and holds a BFA from The School of Visual Arts in Video Art and an MFA in Film/Video from Bard College. His work has been covered in Art in America, LA Weekly, Artforum, Cahiers du Cinema, Purple Magazine, Hyperallergic, The New York Times and Filthy Dreams. Get in touch.

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Ostrava Days Festival 2021



Ostravská banda
Petr Kotík, conductor
Michael Gancz: don’t do this (2021)
James Helgeson: Six Opera Fragments (2021)
Ben Zucker: Eschautomata (2020)
David Zuckerman: Scene In Corporate (2020)
Csenge Mihalicza: Vers (2021)

On the last day of the festival, a concert matinee will take place at the Janáček Conservatory with a program exclusively dedicated to the works of the Ostrava Days Institute residents. This event represents a one-of-a-kind opportunity to witness the creative approaches and innovative compositional methods of these young composers. The works presented at this concert are often diametrically opposed to one another – one may encounter compositions on the threshold of hearing that are based on sophisticated timbral processes, and compositions that are sonically aggressive and gravitate towards noise music. This heterogeneity shows the abundance of ideas in new and experimental music – Last Call can be considered a kind of “kaleidoscope” that lets us see a partial image of contemporary composition. It also bears mentioning that the program features current works by young composers, which usually cannot be heard anywhere other than at Ostrava Days.